The Wiener Stadthalle: a master of transformation

Construction and vision: between renewal and applause

A new vision began to take shape in post-war Vienna of the 1950s — a meeting place that would serve both as a centre of entertainment and as a symbol of reconstruction and political renewal. The commission was awarded to city architect Roland Rainer, whose goal was to create perfect harmony between architecture and interior design. His concept succeeded: this prestigious building marked the beginning of a new era in Viennese architecture.

Even the laying of the foundation stone caused a sensation that reached far beyond Austria’s borders. Thousands of onlookers flocked to the ceremony, gathering around a granite slab weighing two and a half tonnes. Symbolic objects were sealed inside beneath it: newspapers, telephone directories, the Viennese coat of arms and the names of honorary citizens — all intended to be preserved for eternity, a lasting piece of the city’s history. 

The construction itself was a mammoth enterprise: 2,900 blue­prints, 110,000 cubic metres of earth, 11,500 tonnes of cement and 440,000 bricks were used to bring this Viennese landmark to life. Its distinctive roof still adorns the Stadthalle logo today. Rainer placed great emphasis on collaborating with contemporary artists, leading to the creation of several installations and sculptures — including works by Fritz Wotruba — as part of the project. At the heart of the Wiener Stadthalle, Hall D regularly welcomes up to 16,000 visitors. Today, alongside its main event halls, the complex also houses an ice rink and a swimming pool.